Petr Bergmann, a researcher and publisher active in Broumov and Krkonoše regions, documents the phenomenon of souvenirs, an integral part of, craftsmanship and culture over a century ago. Support the new catalogue, which has already been fully designed.
Author: Petr Bergmann
Meziměstí, Královéhradecký kraj, Česko
PledgeAll or nothing. This project will only be funded if it reaches at least its goal by Nov 17, 2026 by 09:01 CET.
More than 25 years ago, I came to the Broumov region. Its landscape, Baroque, Neoclassical and vernacular architecture, and its many-layered history captivated me so deeply that I immediately fell under their spell.
The post-war displacement of the region’s original population had a devastating impact on the preservation of its cultural heritage and severed the continuity of collective memory. At the time, I was working as a cultural manager and producer, and I decided to devote myself fully to preserving and restoring the cultural and historical heritage of the Broumov and Krkonoše regions. My work focuses on researching, documenting and bringing wider attention to what has disappeared or was gradually being forgotten.
Over a quarter of a century of research, I have come to recognise glassmaking and nineteenth-century landscape views as two of the most powerful cultural phenomena of our northern and north-eastern borderlands. They embody a profound and unmistakable local identity that continues to fascinate us today.
And it is in souvenir glass and porcelain that the finest traditions of glassmaking and the art of landscape depiction come together in a truly fascinating way — a combination whose beauty and expressive power captivated me.
This inspired me to bring together several private collections, whose treasures are presented in this catalogue in a collection providing perfect overview.
Help us preserve a memory of Bohemian mountains and rocks!
Let us return to the atmosphere of the early 19th century. Romanticism was in full bloom, and the wild landscapes of the Krkonoše Mountains, the Broumov region and the Adršpach-Teplice Rocks were beginning to attract the first adventurous travellers. It was at this time that a remarkable phenomenon emerged — one that continues to astonish us with its artistic beauty and superb craftsmanship: luxury souvenir glass and porcelain decorated with meticulously hand-painted, engraved or etched landscape views.
Our goal is to publish an exclusive, beautifully produced supplementary catalogue in December 2026: Souvenir Glass and Porcelain from the Broumov Region, the Krkonoše Mountains and the Kłodzko Borderland. Remarkable in its scope, the publication will present dozens of newly discovered and previously unpublished treasures from private collections.
The book will feature a sophisticated graphic design and will be published in three languages — Czech, German and Polish — reflecting the historical, regional and cross-border context of the subject. The catalogue expands upon the original 2021 publication, which was the first to present this phenomenon through such a comprehensive collection with a specific regional focus.
Following exhibitions at the Benedictine monastery in Broumov, in Kamienna Góra, Poland, and at Adršpach Chateau, this new volume continues the story, broadening our knowledge not only of the individual objects themselves, but also of glassmaking, refining and production techniques, the glass trade, and the emergence of tourism in north-eastern Bohemia and the Kłodzko border region.
The original 2021 catalogue is now virtually sold out. Since its publication, research has advanced considerably. The new catalogue continues our journey into the history of the souvenir industry through the eras of Romanticism, Biedermeier and the Second Rococo, Historicism, Art Nouveau and Art Deco. It documents individual objects in detail, exploring their decoration and the diverse manufacturing and refining techniques employed in different periods. It also includes examples of souvenirs made from wood, metal and paper.
Every object is presented through outstanding professional photography and graphic design, with particular emphasis on faithful colour reproduction, accurate representation of form, meticulous attention to detail, and expert descriptions of the objects and the techniques used to create them.
The catalogue’s expert consultants are Prof. Jan Mergl for glass and Lenka Merglová Pánková for porcelain. Exceptional goblets, beakers and tankards are each given full two-page spreads, allowing their craftsmanship and artistic qualities to be appreciated in their entirety. Through this generous presentation, the catalogue pays tribute to the people who created these remarkable pieces of souvenir glass and porcelain, giving their skill and artistry the space they deserve.
Funds raised through Hithit will be used to cover the final production costs of the catalogue, particularly graphic design and printing. Your contributions will help us publish this richly illustrated catalogue to the high standard it deserves and in an optimal print run.
The catalogue also connects urban and landscape views by leading painters and graphic artists with their counterparts depicted on souvenir glass and porcelain.
The master glass decorators of the past painted or engraved views of places they had often never seen themselves. In the days before photography, their models were most commonly engravings, etchings and lithographs by accomplished artists such as Anton Balzer, Carl Sachse, Carl Gottlieb Endler, Friedrich August Tittel, Carl Theodor Matthise, Gustav Täubert, Carl Wilhelm Knippel, Ferdinand Koska, August Haun and many others.
The catalogue reproduces works by these and numerous other artists, revealing the sources of inspiration for the landscape and town views transferred onto glass and porcelain.
And what is perhaps the greatest testament to the uniqueness of this catalogue? Over more than ten years of documenting private and institutional collections, not a single object has yet been found that has an identical counterpart in any other collection.
Every piece featured in the catalogue is therefore truly unique — an individual work of art with a story of its own, whose survival to the present day is something of a small miracle.
This is why we consider the documentation and publication of this remarkable heritage of souvenir glass and porcelain so important, and we hope that you will support our work.
Petr Bergmann´s professional background is in cultural management, production and education. Since 2000, I have worked as an independent regional author, documentarian, publisher and collector, focusing primarily on the Broumov and Krkonoše regions. During this time, I have published more than ten successful books on history and art history and contributed as an author to at least ten others.
My approach to creative work is 100% D.I.Y. I independently manage the entire process myself — from primary fieldwork and archival research to writing, designing and producing the books. I also take care of fundraising, exhibition curation, publishing, distribution and promotion.
More than 25 years of active work in the region have resulted in dozens of publications and hundreds of exhibitions and cultural events, with projects extending to Poland, Germany, Belgium, Chile, Japan and other countries.
My roots, however, are firmly planted in the Broumov region. This is why the vast majority of my research, exhibition and publishing activities are closely connected with this region and its rich history.
The main purpose of documenting souvenir glass and publishing comprehensive catalogues is to preserve its memory for future generations. The production of souvenirs of such exceptional artistic and craftsmanship quality has never been successfully revived in modern times.
Through this work, we are bringing a lost cultural identity of the region back into public awareness, while preserving an authentic testament to the skill, enterprise and sense of beauty of those who came before us.
Your support is therefore much more than simply a contribution towards publishing a book — it is an active part in preserving our shared cultural heritage.
Thank you for joining me on this journey!
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